Hearing Effects: Introduction
Welcome back to the ongoing series that began with Frequency Fundamentals. I trust and hope it has been as helpful for you as it was fun for me to write.
Moving along, this is the start of a new series that will dovetail with the frequency series. Consider it the second suite of a broader work. These new articles will continue our discussion and build on top of the foundation we laid down previously. This time we will focus on audio effects.
“Relevance?”, you ask.
Find me a musician, audio professional, or recording/mixing/mastering engineer that doesn’t use audio effects – and I will be the one to question if they have red blood coursing through their veins!
A more pertinent question would be this: “Effects… OK. But why now?”
If you are familiar with the previous frequency series, you should know the answer by now:
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Tags: audio, delay, distortion, dynamics, effects, frequencies, frequency training, fx, Hearing Effects, modulation, overdrive, reverb
New Quiz! Frequency Bands and Harmonics

Following on from the previous quiz on Percussion Frequencies, we’re opening up a new quiz today: covering Frequency Bands and Harmonics.
Once you’ve got to grips with the starting material in the Frequency Fundamentals course, you should find you’re getting a good sense of where different frequencies lie in your hearing range. The second half of the course then introduces the 10 standard bands of frequencies used when analysing audio and making adjustments to the frequency balance:
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Tags: distortion, EQ, frequencies, frequency bands, Frequency Fundamentals, harmonics, practice, quiz, training
Announcing our new iPhone app: Step and a Half!
We are excited to announce our new ear training app for iPhone and iPod Touch:
Step and a Half will be released on the App Store this Thursday, 8th July, and we wanted to give EasyEarTraining.com readers a sneak peak of the new app in advance!
What’s it for?
One of the most common requests we’ve heard from RelativePitch users has been to provide training of more than one interval in a row. It’s the natural progression – once you can recognise each interval correctly, you want to start using that to figure out tunes, chord progressions, new improvisations, and so on. But it can be a bit of a stretch from identifying an interval in isolation to identifying it in among other notes of a melody, especially if it’s a long melody or you’re trying to work it out live.
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