Hello! My name is Joseph DuBose and I am a composer currently living in the beautiful Blue Ridge Mountains of North Carolina. My musical training began when I started taking piano lessons in middle school. It was in high school, though, when music became my passion in life.

It was at this time that I began to compose music as well as studying anything I could get my hands on related to music. I studied music theory and composition at Appalachian State University. My interests are mostly in classical music prior to 1900. I consider myself a true Romantic, in its fullest artistic and philosophical sense. Currently, I continue to compose and have recently ventured into writing about music. Feel free to check out my composition blog at http://jsdmusic.wordpress.com.

As I’ll explain later in one of my articles, my experience with ear training in college was far from beneficial. My recent adventures into ear training, therefore, have been an effort to improve myself as a musician and as a composer. In trying to find what works best for me, I’ve structured my approach to ear training similar to my approach to practicing my instrument. In other words, I’ve focused on building upon key principals of ear training in the same way I would center my instrumental practice on fundamental exercises. Thus, my articles will focus around the solid foundation necessary to be successful in ear training. Some things may sound a little elementary and other may seem a little unorthodox, but I hope that through sharing my personal experiences you will gain some basic principles that will help you in your own adventures into ear training.

Joseph’s articles start tomorrow with “Ear Training and How We Learn” – essential reading for making sure your time spent with ear training is effective!

An intermedia composer, percussionist, author, and obsessive sci-fi buff, I create mind-bending electroacoustic works that have been heard throughout Australia, Asia, North America, and Europe in media festivals, radio, film, dance clubs, random boom boxes in France, and as not-so-pleasant background music.

Critics describe my music as “daunting,” “marvelously abstract,” and “robotic babbles.” Various multimedia works have been performed globally at venues such as the Beijing Conservatory, the International Computer Music Conference, Miramax’s Project Greenlight, the New York International Independent Film Festival, Art Basil Miami, Turkey’s Cinema for Peace, and Pulsefield International Exhibition of Sound Art.

Recent projects include World Order #5, an apocalyptic tale about the decimation of the human race by a viral mutation written for the Kansas State University percussion ensemble, 3D animation, and electronic music, and the Creation, a CGI multimedia oratorio composed for the Millikin University Women’s Chorus and percussion ensemble.

The world premier of Creation will take place April 17th, 2010, at the Albert Taylor Theater in Decator, Illinois. Montana State University’s The Electric Monster Laptop Ensemble will be performing RE: The Destruction of Planet #61366 (Earth), a work written for unlimited computer laptops and PowerPoint.

Origins, a riveting album of cinematic soundscapes, pulsating rhythms and enigmatic vocals, was released on CD Baby and iTunes in 2008. Origins includes World Order #1, a pounding dance piece about nuclear war and Looking Glass, a nightmarish musical poem about the ravages of innocence lost. Other works on the album, such as Metamorph, Origins, and Valley of the Shadow, take the listener on a sonic journey to an imaginary audio landscape of forgotten memories, twisted vocals, and otherworldly electronica.

Before I had a passion for composition, I had a passion for writing. In 2009 I published The Feminine Musique: Multimedia and Women Today, available at Amazon.com. The Feminine Musique traces the intersection of experimental music and new media through the works of innovative composers and artists who embraced social change, technology, and music to create compelling and sometimes controversial works. I have also written for the Kapralova Society Journal, Percussive Notes, Panpipes, the IAWM Music Journal, the SEAMUS Music Journal, and various fine arts websites.

In my limited spare time, I enjoy jamming on the congas, playing Rock Band II on my PS3, watching cheesy science fiction movies, composing on my iMac, and attempting to insert random Star Wars quotes into every conversation.

The Force is strong with this one…

As you may have guessed from her bio, Sabrina will be writing about all sorts of things here at EasyEarTraining.com! Her first post is tomorrow – “Get Your Groove On: Beat Basics”. Please welcome her to the site and the forums, and be sure to check back tomorrow for some fundamentals of rhythm and tempo!

Hi, and welcome to the new Easy Ear Training website!

If you’ve found your way here, there’s a fair chance you know what ear training is – but perhaps not. We’ll be discussing that subject and all the various areas of ear training in the weeks to come, but for now we’ll just say:

Ear training helps you hear more, and more accurately,
and should be a core part of
any musician or audio professional’s training.

Click to read the rest…