Hey audio professional….yes you….picture this scenario!

You’ve been working quietly at your boss’ studio. You know, the daily drudge; setting up microphones, setting up drum kits, getting the vocal mic ready for the latest singer dreaming of stardom. Hey, you even double up duty as the “lunch grunt”. Still though, by watching, imitating and learning, you have even managed to be able to cobble together a good mix of the recorded instruments. Nice and clear, not clouded and muddy. You can hear each instrument clearly. Good for you. Now, how exactly is this done? Or more to the point, how do you do it? The mechanics, the math…you know, the step by step methods? If you can’t answer, don’t be embarrassed. Read on!

Frequency Fundamentals

Now, let’s get back to our scenario. Your boss calls you in and announces that the studio picked up a major artist. Let’s call her “Jill”. Your boss’ best friend in Nashville referred her to your quiet town, where she can cut her latest opus in peace, away from the shutter bugs. Your boss’ friend has faith in him, and so everyone is onboard. (The label, the band, and our starlet “Jill”.)

Naturally, your boss expects your “A” game. No problem. Click to read the rest…

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