Bass Tone

Learn about Bass Effects in this week's bass tone podcastWant to know about Bass Effects? Episode 5 of the Bass Tone podcast has you covered!

In this week’s podcast you’ll learn all about:

• Equalization (EQ), the cornerstone of a good effects chain
• Compression and Limiting to even out playing dynamics
• Multiband Compression
• Distortion, Overdrive and Fuzz Effects

http://www.EasyEarTraining.com/wp-content/uploads/2011/07/5_-_Bass_FX_1.m4a

You can subscribe to the Bass Tone podcast in iTunes, or your favourite podcasting program using the feeds below:

Subscribe to Bass Tone (iTunes) Bass Tone Podcast (iTunes)
Subscribe to Bass Tone (RSS) Bass Tone Podcast (RSS feed for other clients)

You can also download this episode directly:

Download
Bass Tone Podcast – Part 5
(right-click and “Save as…”)

The podcast is an M4A (AAC) file, which should play back on most modern audio software and portable music players. If you have any problems downloading or playing the file please let us know.

What’s your take on Bass FX? Special sauce or better off without ‘em? Let us know in the comments below!
And don’t forget to check out the recent “Bass Effects” article.

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Series Information
This is part 13 of 16 in the Bass Tone series.

Hey audio professional….yes you….picture this scenario!

You’ve been working quietly at your boss’ studio. You know, the daily drudge; setting up microphones, setting up drum kits, getting the vocal mic ready for the latest singer dreaming of stardom. Hey, you even double up duty as the “lunch grunt”. Still though, by watching, imitating and learning, you have even managed to be able to cobble together a good mix of the recorded instruments. Nice and clear, not clouded and muddy. You can hear each instrument clearly. Good for you. Now, how exactly is this done? Or more to the point, how do you do it? The mechanics, the math…you know, the step by step methods? If you can’t answer, don’t be embarrassed. Read on!

Frequency Fundamentals

Now, let’s get back to our scenario. Your boss calls you in and announces that the studio picked up a major artist. Let’s call her “Jill”. Your boss’ best friend in Nashville referred her to your quiet town, where she can cut her latest opus in peace, away from the shutter bugs. Your boss’ friend has faith in him, and so everyone is onboard. (The label, the band, and our starlet “Jill”.)

Naturally, your boss expects your “A” game. No problem. Click to read the rest…

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Series Information
This is part 1 of 11 in the Frequency Fundamentals series.

 

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