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	<title>EasyEarTraining.com &#187; exercises</title>
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	<link>http://www.EasyEarTraining.com</link>
	<description>Easy Ear Training for all those who love music: You could hear so much more! We&#039;ve got free Tutorials, Quizzes and Discussion Forums to help you discover what your ears can really do.</description>
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		<title>How to Double Your Progress With Ear Training</title>
		<link>http://www.EasyEarTraining.com/2011/12/29/how-to-double-your-progress-with-ear-training/</link>
		<comments>http://www.EasyEarTraining.com/2011/12/29/how-to-double-your-progress-with-ear-training/#comments</comments>
		<pubDate>Thu, 29 Dec 2011 09:00:37 +0000</pubDate>
		<dc:creator>Ethan Bennett</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[Relative Pitch]]></category>
		<category><![CDATA[advice]]></category>
		<category><![CDATA[benefits]]></category>
		<category><![CDATA[Chords]]></category>
		<category><![CDATA[ear training]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[Intervals]]></category>
		<category><![CDATA[methods]]></category>
		<category><![CDATA[modes]]></category>
		<category><![CDATA[Scales]]></category>

		<guid isPermaLink="false">http://www.EasyEarTraining.com/?p=6666</guid>
		<description><![CDATA[If you have a lot of experience with theory classes or with playing in an organized ensemble, you’re probably familiar with two different but equally important types of ear training method. When we sit down to practice though, we tend to focus only on one of them: the basic, practice-the-interval-until-you-could-recognize-it-asleep memorization method (or derivatives of [...]]]></description>
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		<title>Music &amp; Life: Teens, Listening, and Ear Training</title>
		<link>http://www.EasyEarTraining.com/2011/09/29/music-life-teens-listening-and-ear-training/</link>
		<comments>http://www.EasyEarTraining.com/2011/09/29/music-life-teens-listening-and-ear-training/#comments</comments>
		<pubDate>Thu, 29 Sep 2011 11:00:35 +0000</pubDate>
		<dc:creator>Sabrina Peña Young</dc:creator>
				<category><![CDATA[Children]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[benefits]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[group]]></category>
		<category><![CDATA[listening]]></category>
		<category><![CDATA[lyrics]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[music therapy]]></category>
		<category><![CDATA[Playing By Ear]]></category>
		<category><![CDATA[school]]></category>
		<category><![CDATA[teenage]]></category>
		<category><![CDATA[teens]]></category>

		<guid isPermaLink="false">http://www.EasyEarTraining.com/?p=6334</guid>
		<description><![CDATA[Your teenage daughter can rattle off the lyrics to her 320 favorite tunes on her iPod but doesn&#8217;t remember you asking her to babysit her younger brother on Saturday night. Your high school senior can improv the sweetest guitar riff complexities by ear on the spot, yet blanks out during the chemistry lecture at school. [...]]]></description>
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		<series:name><![CDATA[Music &amp; Life]]></series:name>
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		<title>Learning to Recognize Intervals for Guitarists</title>
		<link>http://www.EasyEarTraining.com/2011/07/27/learning-to-recognize-intervals-for-guitarists/</link>
		<comments>http://www.EasyEarTraining.com/2011/07/27/learning-to-recognize-intervals-for-guitarists/#comments</comments>
		<pubDate>Wed, 27 Jul 2011 12:00:48 +0000</pubDate>
		<dc:creator>Thomas Evdokimoff</dc:creator>
				<category><![CDATA[Guitar]]></category>
		<category><![CDATA[Intervals]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[harmony]]></category>
		<category><![CDATA[major]]></category>
		<category><![CDATA[methods]]></category>
		<category><![CDATA[minor]]></category>
		<category><![CDATA[music theory]]></category>
		<category><![CDATA[perfect fourths]]></category>
		<category><![CDATA[thirds]]></category>
		<category><![CDATA[tips]]></category>

		<guid isPermaLink="false">http://www.EasyEarTraining.com/?p=5821</guid>
		<description><![CDATA[Learning to recognize intervals is an important part of any musician&#8217;s development. Guitarists who play by ear should be especially interested in developing their aural skills so that they can recognize musical elements such as intervals in harmonies and melodies. For players of improvised forms like jazz a good ear is critical for improvising as [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Broken Chords and Arpeggios</title>
		<link>http://www.EasyEarTraining.com/2010/06/10/broken-chords-and-arpeggios/</link>
		<comments>http://www.EasyEarTraining.com/2010/06/10/broken-chords-and-arpeggios/#comments</comments>
		<pubDate>Thu, 10 Jun 2010 12:00:23 +0000</pubDate>
		<dc:creator>Matthew Abdallah</dc:creator>
				<category><![CDATA[Chords]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[arpeggios]]></category>
		<category><![CDATA[broken chords]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[ideas]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[riffs]]></category>
		<category><![CDATA[training]]></category>

		<guid isPermaLink="false">http://www.EasyEarTraining.com/?p=1495</guid>
		<description><![CDATA[There are a number of ways for a guitarist to play a chord that can have a significant impact on how the listener is affected by the song. All of the notes in the chord do not have to be played simultaneously, which is the typical method of playing chords. The term &#8220;broken chords&#8221; covers [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Let Your Ear Training Soar with Noteflight</title>
		<link>http://www.EasyEarTraining.com/2010/06/01/let-your-ear-training-soar-with-noteflight/</link>
		<comments>http://www.EasyEarTraining.com/2010/06/01/let-your-ear-training-soar-with-noteflight/#comments</comments>
		<pubDate>Tue, 01 Jun 2010 16:00:43 +0000</pubDate>
		<dc:creator>Sabrina Peña Young</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[Relative Pitch]]></category>
		<category><![CDATA[Chords]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[melody]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[noteflight]]></category>
		<category><![CDATA[notes]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[Scales]]></category>
		<category><![CDATA[score]]></category>
		<category><![CDATA[sheet music]]></category>
		<category><![CDATA[tools]]></category>
		<category><![CDATA[training]]></category>

		<guid isPermaLink="false">http://www.EasyEarTraining.com/?p=1220</guid>
		<description><![CDATA[Ever pick up a piece of sheet music and wish that you could hear the notes on the page? Working on ear training can be frustrating if you can&#8217;t hear the melody and don&#8217;t know how to pick it out on a keyboard. Noteflight&#8217;s online notation software can help you develop your ear training skills [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Getting Started: The Importance of a Warm-Up Routine</title>
		<link>http://www.EasyEarTraining.com/2010/03/11/getting-started-the-importance-of-a-warm-up-routine/</link>
		<comments>http://www.EasyEarTraining.com/2010/03/11/getting-started-the-importance-of-a-warm-up-routine/#comments</comments>
		<pubDate>Thu, 11 Mar 2010 12:00:41 +0000</pubDate>
		<dc:creator>Joseph DuBose</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[Intervals]]></category>
		<category><![CDATA[Keyboard]]></category>
		<category><![CDATA[long notes]]></category>
		<category><![CDATA[methods]]></category>
		<category><![CDATA[tips]]></category>
		<category><![CDATA[warm-up]]></category>

		<guid isPermaLink="false">http://www.EasyEarTraining.com/?p=676</guid>
		<description><![CDATA[As I mentioned in my previous article, How to Approach Ear Training, my current approach to practicing ear training is modeled around my same approach to practicing my instrument. Whatever your instrument is, you know the importance of a warm-up routine. Besides the obvious intention of getting “warmed-up,” as in a mental and physical preparation [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Introduction To Frequency Training</title>
		<link>http://www.EasyEarTraining.com/2010/02/23/introduction-to-frequency-training/</link>
		<comments>http://www.EasyEarTraining.com/2010/02/23/introduction-to-frequency-training/#comments</comments>
		<pubDate>Tue, 23 Feb 2010 12:00:22 +0000</pubDate>
		<dc:creator>Fotios Koulakos</dc:creator>
				<category><![CDATA[Frequencies]]></category>
		<category><![CDATA[Series]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[benefits]]></category>
		<category><![CDATA[exercises]]></category>
		<category><![CDATA[Frequency Fundamentals]]></category>
		<category><![CDATA[Hertz]]></category>
		<category><![CDATA[introduction]]></category>
		<category><![CDATA[reference pitch]]></category>
		<category><![CDATA[training]]></category>

		<guid isPermaLink="false">http://www.iphoneeartraining.com/?p=118</guid>
		<description><![CDATA[Can you identify the frequency of a kick drum? How about a snare drum? A woman’s voice? A man&#8217;s? How about an F#2 played on a piano? As an audio professional (audio recording/mixing engineer, music producer, mastering engineer, etc.) you should be able to identify these frequencies. Why? We’ll get to that shortly. First, there [...]]]></description>
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		<slash:comments>5</slash:comments>
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		<series:name><![CDATA[Frequency Fundamentals]]></series:name>
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