Welcome back to the ongoing series that began with Frequency Fundamentals. I trust and hope it has been as helpful for you as it was fun for me to write.

Moving along, this is the start of a new series that will dovetail with the frequency series. Consider it the second suite of a broader work. These new articles will continue our discussion and build on top of the foundation we laid down previously. This time we will focus on audio effects.

“Relevance?”, you ask.

Find me a musician, audio professional, or recording/mixing/mastering engineer that doesn’t use audio effects – and I will be the one to question if they have red blood coursing through their veins!

A more pertinent question would be this: “Effects… OK. But why now?”

If you are familiar with the previous frequency series, you should know the answer by now:
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Welcome back to the continuation of the frequency training series. For the next 5 articles, we will expand, break down and analyze this topic in much greater detail. For those who are just now joining us, let me say just one thing:

Stop! Do NOT read any further!

As a matter of fact, go back and first read the introduction overview to frequency training. You’ll need the background information! Trust me, it’s not filler, and will save you much unneeded frustration! Go on…we’ll wait.

From this point on I’ll assume we are all caught up. (The beauty being, you can always go back and re-read and review….remember, no one is chasing you here. Work slowly, at your own pace. I’ll probably repeat that at some point in this series, so I ask your forgiveness and understanding ahead of time!)

Last time we left off with an overview of the nature of sound, and more specifically, the way it is measured (frequency, measured in Hertz, or Hz). Along with this, were some “must know” basic frequencies with exercises for recognizing and identifying them.

Reference frequencies

Briefly now, let’s take one tiny step back. (I think now is good time to revisit this.)
I always have, and still do recommend that you find whatever reference frequencies you are comfortable using as the anchor to your training….BUT…. Click to read the rest…

Around this time last week we held the EasyEarTraining.com launch party, upstairs at the Union Chapel in London. The Union Chapel is one of the most incredible music venues in London – a beautiful old church with fantastic acoustics – so there couldn’t be a better place to launch a new site dedicated to helping musicians reach new heights!

We had guests from across the musical spectrum – Music lovers, hobbyist musicians, professional musicians (like the wonderful Annalie Wilson; if you haven’t heard her album, go listen now), Gilbert & Sullivan fans, experts in digital music and ground-breaking audio technologies, backstage concert crew, audio software developers, music-loving journalists, and primary school teachers – all gathered together to learn more about ear training, and how new technology can help make developing your ear easy and fun. It was fascinating to hear different people’s thoughts on ear training, and learn about their own experiences in developing their musical ear.

Click to read the rest…