Learning about chords can be overwhelming.

Want to learn to play guitar? Trying to learn how to write pop songs? Need to analyse a 14th Century composition for music theory class? Understanding the world of chords is essential for all of these, but there’s so much to learn.

I’m going to share a particular way to look at chords which is simple – but actually provides the bulk of the understanding you’ll need to build these musical skills!

From the 24 major and minor chords, to all the variants (augmented, extended, and power chords, just to name a few types!), to knowing which can be used when according to complex rules of harmony… There is an awful lot to know about chords! But most of the music we listen to sounds so simple and so natural – surely things can’t be all that complicated?

It turns there are just three chords which are most important to any piece of music. If you want to really improve your music appreciation, learn about these 3 chords.

It’s as easy as 1, 2, 3, 4, 5

This lesson will discuss the I, IV and V chords and their importance in music.

Don’t be discouraged by the use of these strange symbols I, IV and V! If you’re not familiar with roman numerals, that’s just a way of writing “the one, four and five chords”. As you follow this article, just read I as “one”, IV as “four” and V as “five”.

We’ll use the famous song “Imagine” by John Lennon as our example of a I–V-IV (“one five four”) progression.

Whether you are just starting to explore music or have been playing an instrument for many years, you have surely heard or read about the I, IV and V chords. These chords are extensively talked about in music theory and for a very good reason; in short, they represent the fundamentals of classical and popular music.

These three chords are considered the Click to read the rest…

As players, guitarists are expected to have a wide range of skills including incredible ears. We are asked to play by ear, accompany singers in any key, and improvise. In developing these skills we need to be able to recognize different chord types and their inversions, as well as to be able to translate what we hear to the instrument.

When we are learning different chord forms we seem to be inundated with their seemingly endless variations and notations. But at their essence are four different basic sound qualities: major, minor, diminished and augmented. Within these four basic triad qualities are really just two modes: major and minor. The diminished triad is related to the minor triad, as the augmented is to the major one.

In this article we will review close position major and minor triads as they are found on the guitar. Close position triads on the guitar are perhaps not the most practical chords to use from a playing perspective, but they will help you understand the construction of larger four and even six note chords that you may be more familiar with, and provide a means for learning their sound quality in their most basic forms.

Triads

Triads are three note chords built by stacking thirds, from a root note. If you consider the common C major chord below, it actually only consists of three pitches: C, E and G. The other two notes are just repetitions: another C on the second string and another E on the first string.

A standard C Major guitar chord

Standard C Major guitar chord

Chords sound the strongest when we put their root as the lowest note. Nevertheless, any of a chord’s members can be the lowest, note giving a triad three possible positions: Click to read the rest…

Sometimes it can feel like the music world is just treading water between Radiohead releases. Yes, we’ll listen to tons of other bands and fully enjoy many of them, but Radiohead remains one of the only groups that can still stop everyone dead in their tracks, getting them to drop what they’re doing and run to their computers, scrambling to frantically download the band’s newest offering. Perhaps I’m exaggerating a bit here, but I’m certainly not the first person to posit that Thom Yorke and the boys really do seem to be our modern-day version of The Clash – The Only Band That Matters.

Radiohead makes it easy to be a fan of their music, because there’s so many facets to what they do: Their songs are sonically complicated, but still often melodic enough to get stuck in your head for days. Their lyrics are notoriously indecipherable, and even when revealed, seem to ask more questions than they answer. Each member of the band is highly proficient at his instrument, with madcap tinkerer Jonny Greenwood proving himself adept at gadgets a lot of us don’t even recognize. Yes, they’re the sort of band that bridges the gap between snobby musicians, music nerds, and passive fans who just like a good tune.

I was right there with all these folks in February, eagerly anticipating the release of the band’s eighth album, The King of Limbs. I’m having to restrain myself from diving into a full-on review of the record, because I could ramble on about it for a while. But I’ll keep it short, for our purposes here: at first, I wasn’t sure what to make of the LP. But after repeated listens, I’ve grown to love it. And one of my favorite tunes from the record is one of the more stark, airy compositions, and one that certainly didn’t click with me right away: “Give Up the Ghost.”

Give Up the Ghost

It was only when I watched a YouTube video of Thom Yorke performing the song solo that I put together its minimalist origins and its heavy use of looping. There’s one loop that runs throughout the entire song (the “Don’t hurt me” line), and even after I had listened to the track probably thirty times (before I had watched the vid), it never occurred to me that that part remained static throughout the course of entire five minutes. In the live version, it’s obviously tough to miss this – you can watch Yorke initializing that loop, as well as the others that chime in towards the end of the song. But on the album version, the band builds the composition so gradually and carefully that you never have a chance to get bogged down in any repetition. It’s really impressive.

The song starts with Click to read the rest…