Ask a guitarist to name five famous Les Paul players and you’ll probably get Slash, Jimmy Page, Pete Townsend and Joe Perry… and maybe Ace Frehley, or the late great Gary Moore. There’s plenty of players to choose from: a quick look at the Gibson website reveals that just amongst the models currently on sale there are 23 signature edition Les Pauls!

With so many legends making their name using Gibson’s most famous axe it’s easy to overlook the fact that every one ever made is a signature model of the “Wizard of Waukesha” Les Paul himself.

If, at this point, you’re wondering who Les Paul is you’re in good company. When I was a kid I had heard that he was the man who invented the electric guitar, and so I naturally assumed that he must be an engineer who worked for Gibson.

In this series I’m going to explore the life of Les Paul: the only man to be in both the Inventors and the Rock and Roll Hall of Fame, and hopefully demonstrate why I believe he is the greatest example in history of musicianship and innovation acting in perfect (multitracked!) harmony.

First, let’s get a few things straight: Les Paul didn’t invent the electric guitar, the solid body guitar – or even the Gibson “Les Paul”! He did however have a key role in the development of all three. He was also responsible for innovations arguably even more important, which changed the way music would be made forever and paved the way for the jazz and country music of the 40′s to mutate into Sgt. Pepper and Dark Side of the Moon in the 60′s and 70′s.

We’ll start with a look at the classic Gibson “Les Paul” guitar, and Les’ role in its creation. In subsequent parts we’ll be learning about his vast contributions to the art and technology of recording, and audio effects.

Les Paul and the Birth of the Electric Guitar

As a youngster, Les Paul played acoustic guitar and harmonica in a hillbilly act under the name Rhubarb “Red” (where he invented the neck-mounted harmonica holder; but that’s another story).

After a show he was handed a note by an audience member saying “Your act is great, but no one can hear your guitar”. From that day forward he knew he needed to get amplified if he wanted to make the big time.

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Missed the start of the series? Catch up here.

Ahh, it’s time for all things filth! Overdrive, distortion, fuzz, soft clipping, hard clipping, and limitless other descriptions to describe one of the most dramatic sound effects ever!

If dynamics effects are to claim the prize of being the most controversial and misunderstood effects; then the coveted prize for most popular, certainly (and with no competition) goes to anything that has the words ‘overdrive’, ‘distortion’, ‘fuzz’, or any variant in its descriptive moniker! While originally intended for guitar players (you’ll understand once you learn the history of this effect), no other effect has been so widespread throughout all of music production. Everything from vocals to drums, keyboards, and everything in between has been distorted, overdriven or fuzzed up at one time or another.

I’ll move it one step further. Distortion (unless otherwise specified, for simplicity I’ll refer to this topic generally as “distortion” from now on) actually makes up about 85-90% of the effects market. Now, I’ll be the first to admit that occasionally I use a made up expressive term like “cajillion” to make a point about enormous quantity; BUT, concerning distortion, no such exaggeration is needed – as there are thousands (and I mean that literally) of distortion devices being produced right at this moment.

I’ll bet that you, reading this right now, have at least a few distortion effects lying around!

I know that I certainly own… well… let’s just skip that number for now! Put it this way: I will never again make fun of, or criticize my girlfriend’s penchant for owning innumerable pairs of shoes!

However you slice it, distortion is the big card game in town and everyone wants a seat at the table; either as a consumer, or an opportunist manufacturer who boasts about delivering a new spin to all things crunch!

Why distort your signal?

Now on to more pertinent queries. Why on earth would you want to purposely distort a signal? After all, aren’t we taught by Hi-Fi manufacturers that the lower the signal distortion the better? Why the exception here?

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