Intervals are one of the core ear training topics that most musicians tackle as they hone their aural skills. Often the small intervals (seconds and thirds) and octaves are easy to get a handle on, but the larger ones are trickier. One request we hear again and again from RelativePitch users and site visitors is how best to recognise intervals of a sixth or seventh.

It’s easy to understand this. With the small intervals it’s relatively easy to relate one note to the other by using a scale or arpeggio (whether consciously, or just relying on your ear). Anybody who’s played endless major scales on their instrument will be very familiar with major and minor seconds already, as the steps of the scale. Likewise, major and minor thirds feature in arpeggios. Perfect fourths and fifths start getting a bit tougher, and once you extend the leap to sixths and sevenths, a lot of students feel it’s too big a jump for them to accurately judge. Sure, it’s bigger than a fifth and smaller than an octave, but that still leaves four possibilities!

Tips for recognising sixths and sevenths

We’ll look at three techniques which can be helpful if you’re struggling with these intervals. They all provide a “stepping stone” to recognising the interval. Use the technique described to get started and help your ear start to appreciate the character of the interval. Then in time you’ll find you can recognise them straight off!

1. Use the interval’s inversion
2. Use small intervals to reach a known interval
3. Use reference tunes which feature the interval

1. Use the interval’s inversion

If you’re approaching sixths and sevenths, the chances are good you’ve already mastered seconds, thirds and octaves (if not, it’s probably worth going back to get solid on those easier intervals). Here’s a trick you can use to start identifying sixths and sevenths, just using your ability with thirds and octaves.

You can use major and minor thirds to distinguish minor from major sixths. Likewise, you can use major/minor seconds for minor/major sevenths.

The trick is to ‘jump’ the lower note of the interval up an octave in your mind’s ear. This inverts the sixth or seventh into a second or third instead, and by recognising this smaller interval you can figure out the original interval!

For example: When trying to identify a large interval, you jump the lower note up an octave and you can tell it creates a Major Third. You then know the original interval was a Minor Sixth:

You can use this trick for all sixths and sevenths:
Click to read the rest…

With over 150 articles here at EasyEarTraining.com it would be easy to miss out on some that might be useful for your aural skills training.

Today we’re going to take a look at the 9 Training Series we have here on the site, and what each of them can offer you as a musician or audio professional.

Pitch & Harmony

Pitch & Harmony by Thomas Evdokimoff introduces some fundamental concepts in musical ear training, teaching you to recognise and sing intervals and chords. You’ll learn about the solfege system for ear training, and how major and minor scales can be used as the basis for all relative pitch skills.

Listen Close

Brad T. Bush chooses stand-out examples of songs to examine how they’re put together and what can make a track amazing instead of run-of-the-mill. Along the way he’ll point out the techniques used by song-writers, musicians and producers which you need to know for your own music. If you’re keen to hear and understand more in the music you love, Listen Close is a great place to start.

Music & Life

Sabrina Peña Young takes a broad look at all the wonderful ways music influences our lives at every age, and how specific ear training can benefit us, as musicians and simply as people. Of particular interest for parents, Music & Life teaches you how best to nurture a child’s inner musician.

Open Your Ears

Looking for some new musical avenues to explore? Part of being a great musician is having wide experience of musical styles and techniques, and being open to new sounds. Open Your Ears provides some interesting and unusual pointers to new musical experiences.

Bass Tone

If you’re a bass player, or (inspired by Open Your Ears) simply want to expand your knowledge of that low-down instrument, check out Nick Long‘s series Bass Tone. The series covers the different types of bass, from the original double bass through to modern electric bass, and all the other essential topics for crafting (or appreciating) a unique bass tone, including amplifiers and effects. There’s also a free 6-part Bass Tone Podcast if you prefer to learn by listening.

Frequency Fundamentals

Professional audio engineer and studio-owner Fotios Koulakos takes you from zero knowledge to being a master of the audio spectrum with his series Frequency Fundamentals. If you’ve ever wondered what “kilohertz” are, how studio engineers know which knobs to tweak, or struggled to get your recordings to sound professional, get stuck into this series on all things frequency.

Hearing Effects

Picking up where Frequency Fundamentals left off, Hearing Effects dives into the wild world of audio effects, covering all the essential types of sound-processor, including delay, compression and modulation effects. All you guitarists and audio pros should not miss this one!

Wired for Sound

Sometimes ear training can be hard work, and if your sound system’s not up to scratch you’re only making life harder for yourself! Don’t make silly mistakes with your hi-fi setup, learn the right way with Nick Long‘s Wired for Sound.

Listen to Les

Of all the musicians who’ve furthered the art of recorded music, probably none has contributed as much as Les Paul. From his iconic guitar, the Gibson Les Paul, to his innovation in recording techniques, to the audio effects he pioneered, Les Paul’s gift to the world of music has been remarkable, and the Listen to Les series will help you understand why.

Well, did any of those whet your appetite? Hopefully you’ve found something new to dive into. Remember, a topic doesn’t have to be central to your musical world for it to help open your eyes (and ears) to new possibilities, so don’t be afraid to branch out – especially from the music side to the audio side, or vice-versa.

We’re always keen to hear from our readers, so if there are any topics not covered above, or you have a great idea for a new series please do get in touch by email or leave a comment below.

Creating a zany science fiction retro feel in your music involves more than hiring a handful of cyborgs to man your Nord Modulator. Using the right synthesizers, Halloween sound effects, and melodic material can make your music sound straight out of the next millennium and spook even the Borg.

Use the new Unravelling Music ear training track Halloween Horror 3000 and the samples below to set you on your next space music voyage.

Click to download “Halloween Horror 3000″ Unravelling Music pack (or right-click and “Save as…”)

Contents

• 13-page liner notes PDF with track-by-track info
• 1 full-length MP3 file, “Halloween Horror 3000″
• 5 supporting MP3 files revealing details of the track

Spacey Halloween Sounds

Halloween sound effects can enhance any sci-fi track. For the ear training track HH3K I used a combo of freaky sounds, including creepy female whispers created through EW Symphonic Choirs, alien murmurs from Logic, and a royalty-free scream sample.

Make your own horrific Halloween effects easily with a good set of vocal chords and a mic, or explore your synth banks for some hidden sound gems. Instead of placing them randomly through the track, use the most distinctive sounds for the intro, ending, and transitions in the track. For Halloween Horror 3000, I used UFO takeoff sound effects for the music introduction but saved the freaky whispers for ambience.

• Listen to the MP3 for “Space Whispers”

Ambient effects with a sci-fi flair make way for freaky whispers using EW Symphonic Choirs.

Instrument Choices

Click to read the rest…